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Contest Deadline Extended to January 27, 2006 explanation and full details located on FAQ Page
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Our Distinguished Panel of Judges.
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| Amy Williams has been a graphic designer for over 10 years and is currently working for Persimmon Design, a firm specializing in environmental design, signage, tile and traditional graphic. | ||||||||||||||||||
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His Bachelors and Doctoral degrees were completed at the University of Cape Town in South Africa. Dr. Taylor is currently involved in research investigations into various aspects of concrete durability including investigating materials effects on potential concrete durability, and investigating test methods to evaluate concrete performance. He is also active in providing consulting and laboratory services to manufacturers of traditional and innovative materials for use in concrete. He is the author of more than 30 technical papers covering a range of concrete materials topics. Dr. Peter Taylor has been at CTL since 1997. He is a registered Professional Engineer in Illinois and a member of ACI Committees 236 and 232, ASTM Committee C9 and TRB Committee AFN30. |
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With a background in architecture and
painting, Flora Fairbairn’s idiosyncratic style was launched at
her 2000 show of 10 artists at the top of Arno Goldfinger’s Trellick
Tower in West London. Subsequent projects include Gimme 5, which launched
the gallery at Westbourne Studios under the Westway flyover and the co-foundation
of The Luminaries Gallery
www.theluminaries.com. In collaboration with the organisation
Measure, she curated We Love to Kill what we Love in a disused gin distillery
and Mementoes and other Curiosities in a disused glass and lead manufacturing
warehouse, both in St John’s Street, Clerkenwell. More recently
she was London Director of –scopeLondon www.scope-art.com,
Co-Curator of ‘Put ‘em ‘up’ at the Laura Bartlett
Gallery www.laurabartlettgallery.com
and co-producer of Headspace at the Freud Museum in Hampstead. Young Masters
Exhibition June 22to July 4. The web address is www.artfortnightlondon.com |
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Moeller holds a Master of Architecture degree from Tulane University. He also studied architecture at the University of Manchester in England. In his positions with various non-profit organizations, Moeller has written, edited, and designed hundreds of publications. He is currently writing the fourth edition of the AIA Guide to the Architecture of Washington, DC, to be published by the Johns Hopkins University Press in 2006. Moeller has served as a guest
critic at six schools of architecture, and is an associate member of the
American Institute of Architects. He is a member of the Dean’s Advisory
Committee for the Tulane University School of Architecture, and of the
Advisory Committee for Skyscraper: Achievement and Impact, a major new
exhibition being developed by the Liberty Science Center in New Jersey. |
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Firefly Studio was founded in Santa Fe NM 20 years ago, a place we desired to live in for many years. We began our careers doing large scale public and private art commissions. Our medium was glass, we sandblasted, carved, painted and applied the finished material to a wall surfaces. We also won awards for free standing glass sculptures that were reviewed in Corning Glass World Awards. Over the past couple of years our work has transitioned into mixed media public art works. Were comfortable working with contractors on large scale projects that require structural steel, colored or stained concrete, mosaic, stone, glass, to water features, kinetic works and gas flames. |
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Public Art
for us is Public Experience: The public should relate to it, identify
with, and feel ownership. We look for relevance in its surroundings...its
people...its needs and we search for that voice that |
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For the last three years John has been
Business Manager of Plus Point UK Ltd – www.epluspoint.com. His
role has been to use his design expertise to find new and innovative products
to present to the 4000 architects, interior designers and developers that
Plus Point regularly conduct face to face meetings with. It was while
doing his research that John came across Intaglio Composites and realizing
the potential of the Concrete Imaging Process he entered into discussions
with the company to promote and sell the product across Europe. |
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Patrick Owens is the Director of Design for HNTB Corporation's San Antonio and Austin Urban Design and Planning groups. Mr. Owens graduated Louisiana State University in 1997 and is a registered Landscape Architect in the state of Texas. His work experience includes a broad range of projects and clients with a primary focus on park and recreation design. |
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Paul Carlos is a founding principal at
Pure+Applied. He teaches typography and graphic design at Parsons School
of Design in New York, and has taught at The Cooper Union and Maryland
Institute College of Art. After receiving a BFA from The Cooper Union
in 1991, he served as a design associate at the firms Design/Writing/Research
and Donovan and Green and was art director of Interiors magazine, which
received a silver medal for best re-design during his tenure. |
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He holds a Bachelor of Arts from Washington University in St. Louis and a Masters of Architecture from Yale University and is both a registered Architect and Interior Designer. Active in his local community, he has served on various boards of community organizations including six years on the Board of Directors of the Mutual Housing Association, a non-profit organization that owns, develops, and manages affordable housing. Offices are located in Simsbury, Connecticut
in a new studio designed by Mr. Ernst and located in the fields of historic
Terry’s Plain. |
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“Looking for Texas” In 1994, shortly after moving from Athens, Georgia to Commerce, Texas, photographer Rick Vanderpool began a series of trips that would total over 20,500 miles and 54 days on the road to visit all 254 counties in Texas. While Vand erpool photographed anything else that caught his interest – from road kill and wildflowers, to grand views and tumbleweeds – he was mostly looking for “Texas;” simply the word, in all its infinite variety of size, shape, color, style and material. Anywhere. On nearly anything. And with character – as in worn, weathered, carved, etched, painted, stitched, tooled, scrawled, scratched or sculpted. From movie marquis, t-shirts and belt buckles; to barns, ball caps and tattoos… A unique montage of 134 images, from only 114 of Texas’ 254 counties, represents the more than 1,000 ways Vanderpool pictured “Texas,” and only a small sample of how folks express “Texas” pride. To see additional states and subjects, by Vanderpool and 24 other photographers across the nation, visit www.stateart.net, www.pitshappen.com and www.lookingforutah.com. |
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Pure+Applied is a studio specializing in the design of visual and textual content for books, magazines, exhibitions, web sites and other image-and-type projects. Our approach is inspired and guided by the content and context of each project. Our clients include: American Museum of Natural History, D.A.P., Hirshhorn Museum, Metropolis magazine, Monacelli Press, Museum of Modern Art, Museum of the City of New York, National Building Museum, New Museum of Contemporary Art, New York magazine, The Noguchi Museum, Princeton Architectural Press & Rafael Viñoly Architects. A founding principal at Pure+Applied, Urshula Barbour is a designer and writer. A contributor of articles about design for I.D. and Print magazines and a former art director of several magazines, she teaches graphic design at City College in New York and has taught at Parsons and Pratt. Urshula received masters degrees from the New School University and the University of Pennsylvania and a BFA from the Cooper Union. |
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International
Competition |
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contest entry form -pdf format Inquiries? - contest @intagliocomposites.com We also have provided a small poster for replication. We invite anyone to print this and forward to any design oriented prospective applicant. 8 x 11 print for posting-pdf format contest
poster-pdf, zip for download
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The above sample of art was provided courtesy of Peter Ernst, Architect and was used to demonstrate the possible application of photo-engraved concrete for use in the building supports for a newspaper headquarters building in New York. This design shows the creative ingenuity displayed by Peter and just a sampling of the enormous impact that the photo-engraved process can have on a project and would have been an ideal entry for this contest. |
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Copyright
2005 All rights reserved Intaglio Composites, Arlington, TX |
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